Sexy, Smart, Flirtatious, and always on a Deadline!

Posts Tagged ‘Writing’

11
Aug

Running the Numbers

Posted in Rants, Writing  by Gail Roarke

When I was a wee bairn, I read a book of elephant jokes. Things like:

Question: Why are elephants grey and wrinkled?

Answer: Have you ever tried to iron an elephant?

Or the ever-popular:

Question: How do you eat an elephant?

Answer: One bite at a time!

That latter joke, however, has some serious implications for writers (or would-be writers), and I’d like to address it. It has to do with the logistics of writing novels. (Another old saw: When it comes to war, amateurs think about strategy; professionals think about logistics.)

So, you want to write a novel. But a novel is, as a rule, somewhere between 70,000 and 120,000 words. Anything much shorter or longer is going to be much more difficult to place. There are exceptions–online epublishers being one of them–but let’s take 90,000 words as the average for a novel. So you want to write a 90,000 word novel.

How will you ever find the time?

Assuming you haven’t bought into the myth that writing must be slow and painful to be of value*, it’s easier than you think. A manuscript page, double-spaced with one-inch borders, in a legible font (12 point Courier is my preference) will generally consist of 250-300 words. Let’s take 250 words as the average. If you can write–not type, but write–fairly quickly, you can probably produce 250 words in fifteen minutes. Maybe as much as an hour.

Let’s say it takes you fifteen minutes to write 250 words. If you devote fiteen minutes a day, every day, to writing, that’s 91,250 words in a year. That’s a novel for fifteen minutes work every day. Does that sound doable? (No, that number doesn’t include revisions**, but if you’re only spending 15 minutes per day on writing, I think you can find the time to revise as well.) If it takes you an hour to write 250 words, you’ll have to put more time in, but that’s still an entire novel in a year.

Let’s step it up, though. Say you can write 1,000 words in an hour (250 words every fifteen minutes), and you can afford an hour a day to write. One thousand words per day X 365 days in a year is 365,000 words. Or four 90,000 word novels. For an hour a day. Oh, pity the weary writer, who labors for sixty whole minutes a day. If you can spend two hours a day writing, well, that’s (2,000 words x 365 days = 730,000 words). If you can produce 3,000 words a day, you reach 1,095,000 words–enough for twelve 90,000 word novels. If, as John D. MacDonald is reputed to have said, you have to produce a million words of crap before you can write anything good…3,000 words a day for a year will clear all that crap out of your system in one year.

“But, Gail,” you say, “I can’t write every day! And I need a vacation after working a whole hour a day five days a week!”

Okay. Let’s run those numbers.

There are 52 weeks in a year. Take two weeks off for vacations. That leaves 50 weeks. A five-day work week means 250 working days. Let’s assume you’ll lose 50 days to holidays,  illnesses, family emergencies, and the unjustifiable desire to play hooky sometimes. That leaves 200 days a year.

200 days x 1,000 words = 200,000 words, or two 90,000 word novels a year (2.2 to be exact).

200 days x 3,000 words = 600,000 words, or between six and seven 90,000 word novels in a year.

And that’s assuming only 3,000 words per workday. If you’re producing 250 words an hour, that’s 12 hours of work. A long day’s work.

But. If you’re writing 1,000 words per hour, that’s three hours work. If you treat writing as your day job, work at it all day, and can produce any sort of word count, well…now do you see how Nora Roberts can produce so many novels every year?

I mention all this because when someone pointed this out to me, it really opened my eyes. I’d been writing for my own amusement for years, but had always been rather daunted by the idea of writing a novel. How could I ever produce a story 90,000 words long? It seemed impossible. Seeing these numbers in black and white convinced me I could do it. Over the last year or so, I’ve written–and published–seven stories of 7-10,000 words, and written (and am now circulating) two novels. I plan to write two more novels by December 31st of this year.

The numbers don’t lie. There are a thousand excuses would-be writers can use to justify not making the effort to achieve their dream of publication. But that you don’t have the time isn’t one of them. Not anymore. Now you know better.

You’re welcome.

*Shakespeare, Charles Dickens, and Joyce Carol Oates would all beg to differ. Shakespeare and Dickens produced a great deal of great literature writing quickly, and Joyce Carol Oates has been known to write 9,000 words a day. That’s a 90,000 word novel in ten days!

**But don’t assume that major revisions are necessary. They may be, but plenty of successful writers do minimal revisions. The notion that a story can’t possibly be any good until you’ve sweated blood over it is a myth. It may be true for some writers, but don’t assume it’s the case.

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29
Jul

So You Want To Be A Romance Author…

Posted in Stuff, Writing  by Lisa Fox

Being a romance author entails so much more than just writing a book. It’s an entire lifestyle. So before you put fingers to keyboard, here are some essential things you will need in order to be a proper romance author.

Have a Harem of Gorgeous Men

(This should be you)

This is absolutely the most important one. We all know that the only reason anyone buys romance is for the sex. In order to create the most believable, passionate and erotic chick porn out there, you need to do your research. Therefore, you need a harem.

Travel to Exotic Locations

(Here looks good)

Romance simply cannot flourish in a banal setting. The backdrop to your epic tale must be as intriguing and dazzling and jet-setting as your characters and their whirlwind love affair.

Have a Tragic Love Affair

(There cannot be happiness without sorrow)

You can’t know (and hence write about) the beauty and power of true love without having thought you were in love in the past only to either lose that love or realize it wasn’t love at all. This could be because you were blinded by lust and infatuation or maybe you picked the wrong man who wasn’t worthy of you or you might have even had a nice man that wasn’t very good in bed. Whatever the reason, a tragic – and preferably tormented – romantic past is a must.

Know How to Kick Some Ass

(He could TOTALLY teach me a thing or three)

It doesn’t matter if you are writing historical, paranormal, erotic or scifi, your hero needs to be a total ass-kicking stud even if he doesn’t actually kick any ass at all. Find yourself a weapons expert, a personal trainer and/or a hand-hand combat specialist and convince them to tell you all their secrets. And then add them to the harem.

And remember to always, always have fun!

BlogTwitterFacebookSculpting a Demon at Ellora’s Cave

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21
Jul

What is Romance?

Posted in Characters, Stuff, Uncategorized, Writing  by Lyncee Shillard

Welcome….I’m Lyncee and this is my first time blogging at Flirty Bitch Authors. In the months to come I have some topics I’m excited to blog about but I thought start with my view on writing…and with the heart of what I write – romance. Be it a suspense or paranormal romance is at the center of my writing. So let me ask what is……romantic?


Flowers?

Candy?

Candlelight?

A bubble bath?

Some would say all of the above while others would have their own ideas. In writing romance, there are many definitions that a writer must deal with. So – what is….romantic?

Often, the same scene can have a double meaning. For example….
The shrill buzz of the doorbell shattered the silence. Darla glanced at her watch as she sat her book down. Twenty after nine. Who could it be? She stood and walked to the front room. The low rumble of distant thunder echoed in the night air as she opened the door. Michael stood in the pale yellow porch light.
“I thought you were still stuck in Colorado.” Darla’s pulse raced as she tripped over the words. “They said all flights were still ground.”
He held out his hand, offering a rectangular box with a green silk bow decorating the top. “It’s your birthday. I couldn’t miss it. So I rented a car and drove. Here, your favorite chocolates.”
“Oh, Michael,” she stepped outside and into his embrace.
OR – same scene and props but totally different outcome -
The shrill buzz of the doorbell shattered the silence. Darla glanced at her watch as she sat her book down. Twenty after nine. Who could it be? She stood and walked to the front room. The low rumble of distant thunder echoed in the night air as she opened the door. Michael stood in the pale yellow porch light.
Darla’s heart skipped a beat, panic surging through her. “What are you doing here?”
He held out his hand, offering a rectangular box with a green silk bow decorating the top. “It’s your birthday. I couldn’t miss it. Here, your favorite chocolates.”
“No, Michael,” she stepped inside and tried to shut the door, but his fingers stopped it.
While these examples are very basic, they show how the same thing – a box of candy – can mean two entirely different things. One scary the other a sweet gesture.

As a romance writer, I realize it’s more than a simple prop that makes romance. It’s the characters, their relationship and the setting and I have to use all three if I’m going to create a romance that will pull the reader in. I’ve read great romantic scenes set in places I’d never have thought of as a romantic place yet through skilled writing they were.
So tell me, what are some of the more ‘off-beat’ romantic settings you’ve read? Glad you stopped by.

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9
Jun

Rules For Writers

Posted in Writing  by Gail Roarke

I’ve published a number of erotic romance shorts in the last year, but while I’m happy to have done so, and I intend to keep writing erotic romance–I enjoy both reading and writing it–my original dream was to write science fiction and fantasy. And I still intend to do so. I just finished the first draft of my second science fiction novel.

The reason I bring this up is because one of the Masters of Science Fiction, Robert Heinlein, is famed for–among other things–his list of business rules for writers. They apply to writers of any sort, and of any genre. They guided him when he was breaking into the pulp writing field in the first half of the twentieth century, but they’re just as applicable today–because they have nothing to do with the mechanics of writing and everything to do with the crucial art of self-discipline. The list is short: only five rules.

  1. You must write.
  2. You must finish what you write.
  3. You must not rewrite except to editorial demand.
  4. You must mail your story to someone who will buy it.
  5. You must keep your story in the mail until it sells.

These rules are simple in concept, but can be very difficult in practice. But if you follow them, you will find them invaluable in defeating the roadblocks that stop many would-be writers, and which even seasoned pros sometimes struggle with. Let’s consider them one at a time.

1. You must write. Research is not writing. Plotting is not writing. Creating character bios or family trees or relationship maps–none of that is writing. Some planning and plotting ahead of time may, in fact, be necessary; every writer is unique, and what works for me may not work for you, and vice versa. But ultimately you must park your ass in your chair and start writing. Endless preparation is an excellent technique for procrastinating, which allows you to avoid the risk of failure or rejection by never getting started. But if you want to be a successful, published writer, you must ultimately write.

2. You must finish what you write. If you’ve followed the first rule, you’ve begun writing. But that’s not enough. You must also finish what you write. Nobody is going to buy an incomplete novel. Even if you managed to land a contract based on a boffo opening and synopsis, if you can’t finish it, the publisher is going to cancel the contract–and want his advance back. Never finishing a story is another excellent way to avoid the risk of rejection–you can reject the story yourself, and start a different one. It can be powerfully tempting to do just that, but it’s a trap. Finish the story. If you must, tell yourself that, once it’s finished if you still think it’s crap, you can dispose of it–but finish it.

3. You must not rewrite except to editorial demand. Writing techniques vary. Some writers go through several drafts. I personally do very little revision. I write a first draft, spellcheck it, and give it my first reader. If it passes muster, I send it out; if my reader raises valid issues, I address them–and then send it out. But however you work, you must at some point decide that a story is finished. And thereafter, you do not revise it…unless an editor (someone who will pay you for it) asks for changes. In that case, you think about whether you agree with the changes or are willing to make them in return for a check. But endless revisions are simply another way to procrastinate while warming yourself with the delusion that you are a “perfectionist”.

Once a story is as good as you can reasonably make it, you’re done. Send it out. If you’ve learned something from writing that story, apply it to the next one.  If you’re persistent and smart, and constantly working to improve your craft, someday you will look at that story and cringe. Nothing you write is perfect, and never will be. Welcome to the human race.

4. You must mail your story to someone who will buy it. This rule assumes that your goal is to write commercial fiction, ideally to make a living at writing. If you’re content to bask in the admiration of friends or family, that’s fine. But if you want become a selling writer, this is crucial. Sending your work to people who cannot buy it is pointless. Non-paying markets don’t pay–by definition. Agents don’t pay. Editors buy stories and novels. Send your work to them. (And start at the top–send it to the best paying markets you can find, first. Don’t undervalue yourself.)

5. You must keep your story in the mail until it sells. Getting rejection letters in the mail can be demoralizing. I know. But in this regard, writing is no different than many other sales jobs. You’re going to hear “no” a lot more often than you hear “yes”. Especially at first. Even if you become wildly successful, you’re still going to hear “no” quite often. Big name writers get rejections too. It’s the nature of the business. Persistence pays off, though. Many a literary classic (and many blockbusters) were rejected many, many times before someone bought them. A story is never going to sell just sitting in your desk drawer or on your hard drive; keep it circulating until you have literally tried every market you can find–and if a new editor takes over an old market, that’s a new market.

Robert Heinlein tried–and failed at–a number of jobs before he began writing. But the rules above served him well. And they can serve you well, if you follow them.

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12
May

Werewolves and Vampires and Zombies, Oh My!

Posted in Excerpts, Stuff, Writing  by Gail Roarke

Urban fantasy is hot these days. Vampires and vampire hunters, and werewolves, shapeshifters, witches, wizards, ghosts, fairies (or elves or fey), zombies–and lots more. They’re all over the place. I read a lot of them. I enjoy reading Charlaine Harris, Kelley Armstrong, Rachel Kane, Jim Butcher, Kim Harrison, Tanya Huff, C. E. Murphy, Carrie Vaughn, and others I’m sure I’m forgetting. I enjoy all of them very much, though of course I have my favorites.

In my own published works, I haven’t written a single word about such things. I’ve tended to bounce between tales of contemporary erotica (ordinary people having extraordinary fun between the sheets) and superheroic erotica (superhuman people having extraordinary fun between the sheets). What can I say? I’ve always been a fan of comics, and of the superheroes who inhabit them. Given that superheroes and superheroines are, almost to a man (or woman) possessed of flawless physiques, does it surprise anyone that the thought of them getting naked and sweaty with one another should arise? I hardly think so.

But just because I haven’t published anything in the more…traditional paranormal vein (superheroes count as paranormal, right?), doesn’t mean I don’t wander down those paths on occasion. On the other hand, those stories tend not to be so overtly erotic. When I’m writing about vampires and werewolves and zombies, I tend to focus much more on the darker aspects of those creatures. That isn’t to say that love (and sex) won’t crop up eventually, but that’s not how they tend to start. So since I’m on deck to post this week, I thought I’d throw some excerpts from works in progress. None are anywhere close to completion–and are on the back burner while I work on my second novel. But they’re in the mix.

First up, Vanessa’s tale. She was attacked by a werewolf–deliberately infected, but the truth hasn’t been revealed to her yet. Being a no-nonsense modern woman in the real world, she convinced herself that it was just a dog. She hasn’t changed yet, but she’s experiencing some awkward side effects.

Vanessa looked up from studying a case file. She could heard Carol returning from her lunch break, moving around with an uncharacteristic amount of noise. And–Vanessa closed her eyes to concentrate on her sense of smell. Carol smelled very strongly of soap, and shampoo. But beneath that, Vanessa could sense…other scents. Sweat, for one.

Vanessa found herself standing at the door to her office, nose lifted as she breathed deeply. Yes, Carol smelled of sweat, as if she’d worked out over her lunch hour. But there was more. Vanessa closed her eyes again, sorting through the scents, trying to identify them. She picked out faint traces of masculine cologne, but also perspiration, vaginal secretions and semen.

Vanessa’s eyes fluttered open. She found Carol staring at her curiously. Vanessa walked to Carol’s desk. The scents intensified, and Vanessa confirmed what she’d smelled. Carol smelled of vigorous sex, and of soap and shampoo intended to erase those scents. A few strands of damp hair along Carol’s hairline confirmed both sweaty exercise and a hasty shower.

Vanessa leaned closer, etiquette and protocol forgotten. She breathed in Carol’s scent, and the mingled scent of her lover. It smelled tantalizingly familiar.

“Vanessa?”

Vanessa ignored the question. Who was Carol’s lover? She sniffed at Carol’s hair. The scent of shampoo was intense, but Vanessa focused on the manscent that lingered there. Damn, but it seemed familiar. Vanessa began to sort through the men in the office.

The moment she thought of Blake Taylor, Vanessa knew he was the one. That was his scent. How she knew that, Vanessa couldn’t say. It was as if she’d always known, but just hadn’t recognized it before.

“You slept with Blake!”

Carol’s shocked gasp seemed absurdly loud. “How did you know?” Her stage whisper was loud enough to carry across the room.

“Are you kidding?” Vanessa asked. “I can smell it on you.”

Carol’s surprise and alarm were palpable. Carol’s scent took on a metallic overtone.

Vanessa opened her eyes again. Carol’s scent? Since when did she notice Carol’s scent–and yet, she did. This wasn’t the odor of soap, shampoo, deodorant, or of her tryst with Blake Taylor. There was a more basic, more fundamental scent there. Carol’s scent, as personal and identifiable as her face.

Vanessa straightened, alarmed by her discovery and by Carol’s wide-eyed shock. Something strange was happening to her. She had an unshakeable conviction that she could identify Carol by smell now, as easily as by her face.

“I’m–I’m leaving the office for the day,” Vanessa said. “Reschedule all my appointments.”

As odd as Vanessa’s day is, Elizabeth Steakley is having a much worse night.

Elizabeth Steakley had known fear before, of course.  Fear of embarrassment, fear of failure, fear for her reputation, her social standing, even her physical well-being.  As a cop, she’d feared for her very life on more than one occasion.  Though it wasn’t as dangerous an occupation as television made it look, there were risks.  They came with the job.  She accepted them.  Bravery, her father used to tell her, wasn’t the absence of fear—it was the strength of character to act despite the fear.

In the last year she’d even learned to fear for her soul.  The world was a dark and awful place, full of horrible realities that most people—even most cops—never knew existed.  She’d resumed attending church on Sundays after lapsing from her childhood faith long ago.  If vampires and demons and God only know what else really existed, then God must also.  Right?

If so, he seemed to keep his representatives in the dark.  So to speak.  The first priest she’d spoken to had become scornful in the face of her sacreligious jokes about vampires—and angry when she’d persisted by trying to convince him she was serious.  After that incident, she’d been more cautious.  But her oblique hints and leading questions had elicited only puzzlement and expressions of concern for her welfare coupled with platitudes that told her they knew nothing of what she’d seen.  She’d stopped asking after that.

She’d never felt so alone. Until tonight.

Elizabeth’s calm shattered and she thrashed again, madly, frantically.  The sharp cold edges of the handcuffs gouged her wrists and ankles, slipping back and forth across her bloody skin but giving not at all.  The armchair to which she was bound was solidly constructed wood, heavy and rigid, undamaged by her best efforts.  She screamed her frustration and terror into the gag stuffed in her mouth, the sound muffled until it emerged as a dull moan that would never penetrate to the hallway outside or the next room.

She stopped struggling only when her labored breathing threatened to choke her.  She sucked air in noisily thru her nostrils, knowing she was very close to gagging on the mass of fabric filling her mouth.  If that happened and she vomited, she’d die.  The thought frightened her, but not enough to silence the thought that it might be her best option.

If she choked to death, she’d only be dead.

If the vampires had their way with her, she’d be undead.

Elizabeth sat very still, breathing loudly, trying to think of a third option.  Trying hard.

Last, an excerpt from a tale of zombies in the Old West. It didn’t start out that way, but when my characters discovered the smoldering ruins of the family farmhouse, and one of them began checking the well for…something, that’s when I realized what I was writing….

Aaron was in the barn. There wasn’t a lot left of him. Charred bones and scraps of flesh the scavengers hadn’t got to yet scattered over a wide area. There was a hole in his skull, just at the temple. The ruined remains of Aaron’s revolver lay halfway across the barn. Scott glanced at me once as he was examining Aaron’s remains but I pretended not to notice. He looked away and didn’t say anything.

Later, maybe. But not yet.

We buried Aaron that afternoon. I dug the hole with a shovel that had mostly survived the fire. Scott carried his bones out to the grave site and laid them out gently, then just as gently covered them with dirt. I didn’t touch them, or the grave. Scott stood over the grave with his hat in his hands for a long while, head bowed. He might’ve cried a little, but I stayed far enough away that I couldn’t see or hear.

I didn’t say goodbye to Aaron yet. Soon, though.

The shadows were growing long when Scott and I set up camp in what once was the front yard of the ranch. I collected firewood and got the fire going. Scott was busy sorting through the ash and charred wood of the house, occasionally producing bits of treasure. Most of it was reduced to ash.

While Scott occupied himself with that, I walked to the well. The cover was lying on the ground near by. I leaned over and looked down into the darkness. The water reflected the sky from a few yards below the surface. It was utterly still. Which didn’t relieve my fears any.

I glanced around, picked up a rock and dropped it into the well. It vanished into the water with a splash, setting up ripples that slowly faded as I watched. When the water was still again, I picked up the bucket. The rope tied to it was coiled neatly by my feet.

I tossed the bucket down the well instead of lowering it slowly. It splashed into the water, tipped over, filled and sank. I let the rope play out as the bucket sank until it hit bottom.

I jiggled the rope a bit, and moved the bucket around by pulling the rope from one side to the other. No one and nothing pulled at the rope. The surface of the water grew still again, save for occasional faint ripples when the rope moved.

Good enough. I pulled a bucket of water from the well, sipped a little from the dipper, then spat it out. It tasted fine. I was convinced now. There were no walking dead lurking at the bottom of the well, fouling it.

I’d wondered. The men who had killed our brother and burned the ranch might’ve poisoned the well while they were at it. Or just fallen in. They weren’t the brightest or most dextrous of folk, after all.

Scott tossed something that might’ve been a half burned photo in a charred wooden frame onto a small pile of similar items, dusted his hands and then stalked toward me, dismay and anger written in his features. His eyes strayed toward the well. So I hadn’t gone unobserved after all.

“Well’s clean?” Scott asked.

“Seems to be,” I said.

Scott sat down on the ground beside me, knees pulled up and arms resting on them. He looked at me. “Zombies,” he said.

“That would be my guess,” I said.

“Shit,” Scott said.

“Yeah.”

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4
May

So Here I Sit…

Posted in Writing  by Karenna Colcroft

Home from my honeymoon! Came back last week, actually. The wedding was April 17, went off without a hitch (unless you count my 14-year-old’s bid for attention by having a meltdown during the reception). Hubby and I spent an amazingly restful week on Cape Cod, and I came back last week raring to go.

And I have a lot to go! Set myself a goal during the honeymoon (okay, okay, I couldn’t make it a whole week without doing anything writing-related. Hubby couldn’t make it a whole week without losing himself in books and occasionally the computer, so we’re even) of submitting 16 short stories, novellas, and novels by October 31. About 6-7 of them are things I’ve already written that just need polishing before I send them in. The rest… well, I’ve written two of them now, short stories. Still have to revise those. Four of the things on the list are YA (and I’ve already submitted one of those–go me!), one is an urban fantasy kinda thing, and the rest are romance.

I’ve been making up stories since I was 3 years old. I learned to read around that time, and I knew even back then that I wanted my stories to be in books like the ones I read. At age five, I finally learned how to write my stories down, and became even more determined.

During junior high, high school, and college, I wrote a lot. 20 or so novels, all longhand in spiral notebooks. Some of which I still have… they suck. Though a few of them might be salvageable.

Then I got married. My first husband HATED it when I wrote, because it took my attention off him. Even though when I paid attention to him, all he did was watch TV at me. Or swear or throw things, occasionally… And that beat me down enough emotionally that I didn’t see the point in writing, because he sucked all the joy out of it and sucked all my positive thoughts about myself out of me.

Despite that, I managed to write a couple things over the next 10 years or so. Including a phonics-based reading program consisting of 75 fiction short stories, that I wrote because I was teaching and my school wouldn’t give me enough of a budget to purchase phonics materials. My program was accepted by an educational publisher; it’s been out since 2002. (Not under this name.)

In 2004, I finally started feeling good about myself again, and I started writing again. Incessantly. But I never quite worked up the nerve to submit my stuff until January 2009. Since then, I’ve been given 10 publishing contracts.

But since 2004, I’ve written about 45 YA novels, 10-15 romance novels/novellas, and a whole load of romance and/or erotic short stories. (Some of which REALLY suck.) So it’s time to take it to the next level. My new, wonderful hubby SWJR wants me to be as successful as I want to be; in fact, when we chose our wedding vows, he included, “I will support her in all her dreams and will do all I can to make them reality.”

So I’m gonna start working my ass off (well, maybe not, SWJR kinda likes my ass..) to make him–and more importantly, myself–proud. Hence the 16 submission goal.

So here I sit… gearing up for a day of writing, imagining myself with plenty of contracts…

And blogging here. LOL

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14
Apr

Bodycasts

Posted in Characters, Hotties, Writing  by Gail Roarke

No, not the kind made of plaster that cover you from armpits to ankles. I’m talking bodycasts in the RPG sense. Long before I was writing to be published, I wrote fanfic and participated in online role-playing games. A lot of the online games were more like collaborative fanfic writing than games, really. But they were a lot of fun. One of the common practices in such games was–still is, I’m sure, I just don’t play in them these days–choosing an actor or celebrity of some kind as the model for your character. If the character in question belonged to a particular fandom it was easy.  If you’re playing Chloe Sullivan of Smallville, Allison Mack is the only choice.  If it was an original character, you had the whole world to choose from.

Jemima Rooper

One of my recurring favorites is Jemima Rooper. I saw her first on the BBC series Hex as Thelma Bates, the lesbian ghost. I’ve since seen her in other things, most recently Lost in Austen. I find her fascinating to watch, and I’ll confess to finding her unspeakably hot as well. She has a very expressive face, the kind that lights up when she smiles–or when she gives a salacious little grin or flirts with someone. She’s also not a stick figure, suffering from Hollywood Wasting Disease; she looks like a real (very sexy) woman, which is appealing on its own, just by way of contrast with so many actresses today.

Anyhow, she caught my attention several years ago and I’ve used her as my mental model for a couple of characters. One of whom, Leah Wright (also known as Iron Maiden) has made the leap from a character in a game to fanfic and then to published fiction. Leah is nothing like any of the characters the actress has played–but I have a very clear mental image of Leah, which helps when I’m writing her.

She’s not the only character of mine who has a real world model (though not all of them do).  Victor Kruger (the Black Knight), one of Leah’s favorite playmates, is modeled on actor Clancy Brown. Specifically, Clancy Brown as the Kurgan in the film Highlander. I’ve also modeled characters on Laura Harris (Daisy Adair, Dead Like Me) and Jet Li. In all these cases having a strong visual sense of the character makes it easier to choreograph the action in a story, whether it’s violence…or sex.

It’s not the only way to do it. There are plenty of characters in my fiction who don’t owe their appearance to any particular person, celebrity or otherwise. But it’s one way, and one that can work. So all you other writers out there, tell me: Do you use bodycasts? And if so, who are they?

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6
Apr

Busy, Busy, Busy

Posted in Rants  by Karenna Colcroft

Ya know, it’s a really good thing this blog is set to send out reminders to us authors, because the way things have been going around here lately, I never would have remembered that it was my day unless I’d gotten that little email nudge.

Of course, then it took me about a dozen tries to remember my log-in info here. Yeah, it’s been one of those months.

It’s kind of understandable, though. I mean, my wedding is only a week and a half away, and most of the brain power I’ve been able to salvage from my writing has gone into planning that and trying to figure out who’s doing what part of what needs to be done. Yes, I’ve learned to delegate, but then I have to remember to whom I’ve delegated, and those people have developed the annoying habit of asking me what I want to do about the things that I’ve asked them to take care of. In other words, delegating in some cases has just led to putting off being responsible for things, instead of making someone else entirely responsible.

Yes, I’m bitching. If you have a problem with that, check the name of the blog. LOL.

But at this point, I think the only things left to do for the wedding are ordering the cake, which technically my fiance’s mother is supposed to take care of but I think she’s making me go with her, and picking up the tuxes and my dress. Oh, and shopping for me and my daughters. We need shoes, and my 14-year-old and I have to hit Vicky’s for just the right bras to wear under our gowns. (My daughters are my attendants for the wedding.)

Meanwhile, there’s that minor thing called writing. You know, the stuff I’m supposed to do in order to be published, which is what makes me an author and entitles me to be here? I’ve actually done fairly well. Edits for my next romance novel, tentatively titled Eternal Love, are done, and the manuscript has gone off to the line editor. Release date for that one is July 1, the day after my birthday. Revisions on a new young adult novel (under my other author name) for a new publisher are done, as are revisions for the third book in my YA series (under my other author name), which I have to do another one-over on because I have to send it off to the series’ publisher this week.

I’ve been working on a new romance novel, though, and that thing’s been driving me batty. I don’t know whether I’m struggling with it because I have so much else on my mind or because it just isn’t a good plot for me. Either way, I’ve already deleted 30,000 words of it that had nothing to do with the story I was planning to tell, and now I’m wrangling with the characters to make them tell the story they’re supposed to. I don’t think they quite agree with me on what that is, unfortunately. So I’m picking away at it a bit at a time, and giving exaggerated sighs about the prospect of having the first draft written before the wedding, which was my original intent.

On top of those things, I’m dealing with health issues that sometimes leave me unable to sit at my computer for more than a few minutes without becoming completely exhausted. My doctor refuses to make a diagnosis just yet, but acknowledges that other than a sleep study to rule out apnea, he’s tested me for everything he can. So it’s probably Chronic Fatigue Syndrome, he just won’t say so yet. What it means for me is that some days, I wake up raring to go and able to concentrate, and other days it’s all I can do to stay awake and focus on reruns of Law and Order SVU. Kind of puts a dent in my writing… and my wedding planning… and pretty much everything else.

So yeah, I’ve been a wee tad bit busy lately. Next time I blog here, though, I’ll be married! With that out of the way, maybe things will calm down a bit around here.

If I can just get these darn characters to cooperate.

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25
Aug

The joys of writing, in my opinion. The passion within.

Posted in Uncategorized  by Jason

So, I’m still working on my third novella and I was thinking about passion. Not the passion of love making or sex, but the passion of writing all by itself. Lately I’ve been in a sort of writing funk and it finally dawned on me that somewhere along the line my passion had ebbed. That’s what I thought at first. It took me some weeks of thinking about that and a conversation with a friend to realize my passion hadn’t gone anywhere. It’s just as much with me as its always been. I blame my funk on the heat of summer and just a writing slump. Now, onto the conversation that thumped me in the head with a big ‘HELLO, SNAP OUT OF IT!’

A friend of mine asked me about my first two works. Dark Robe Heart (from Space Escapes) and Dark Robe Edges. (from The Edge of Desperation, both published by MLR Press) Ah, my friend, you’ve awakened the sleeping passion in me. So, over the next hour or so, I filled him him on the books. I gave him a pretty good synopsis and then I told him about book 3. (yet to be written), and that’s when my passion came pouring from the depths of my soul and back into my mind and my fingers. I sat here, in this chair, telling my friend everything that would happen in book 3, with a little bit of ambiguity, of course, since it’s all still in my mind. Subject to change of course, I told him.

So, in closing today, I’d like to say. Write about what makes your passion burn so hot that there’s absolutely nothing that can bring you down. Love, love, love what you’re writing and don’t sway from it. At least not too far.

Thanks for reading!

Jason

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4
May

Why Romance Publishing is Like Horse Racing

Posted in Obsessions, Publishers, Writing  by Mary

horserace_fab_blogsizedBecause, as the Kentucky Derby showed on Saturday, sometimes the little guys can score one against big guys with deeper pockets. And the cool thing is, when that happens, it’s probably an even bigger win, because it revitalizes interest in the sport (or in the publishing industry).

For those who don’t follow horse racing (and shame on you), a $9500 gelding (from Canada) named Mine that Bird came from way behind to stun the field. I suspect, in reality, that there were probably traffic jams, which created the perfect opportunity. But that’s okay. Because things like that happen in both industries. And it’s a good thing when it does.

Why? Because it inspires hope. Read the rest of this entry »

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